Creative Canon #7: Non-Format

Kjell Ekhorn (Norwegian) and Jon Forss (British) have worked together as the creative direction and design team Non-Format since 2000. They have worked on a wide range of projects contributing art direction, design, illustration and custom typography for arts & culture, music industry, fashion and advertising clients including Coca Cola, Nike, Graniph, Tate Modern, Orange, Uniqlo, Lancome, BMG, and musical magazine, The Fader. They have lent their formidable editorial design and art direction skills to independent music monthly The Wire, Varoom: the journal of illustration and a special edition of the Paris-based fashion magazine spin off, Very Elle. They have won many awards including, amongst others, a New York ADC gold, two Tokyo TDC prizes and a D&AD Yellow Pencil. A bestselling hardback monograph entitled Non-Format Love Song was published by Die Gestalten Verlag in 2007. A second edition was published the following spring. Non-Format is based in Oslo, Norway and Minneapolis, USA. Most recently, Non Format have completed cover art for the Black Devil Disco Club: The Strange New World Of Bernard Fevre release published by, long standing client Lo Recordings.
[non-format.com]


Some Random References:
[thewire.co.uk]
[lorecordings.com]
[nymag.com/daily/fashion/2008/04/pm_links.html]
[gestalten.com/books]
[graniph.com/en/artist/Non_Format.html]
[rockofeye.net/artists/non-format]
[tdctokyo.org/awards/award06/nonmem01_e.html]
[youworkforthem.com/blog/2007/08/01/the-profile-of-non-format]


Editorial thanks to Rebecca Wolkenstein at [rockofeye.net]

nonformat_01

Back To Black Music packaging for the Whitechapel Art Gallery London, 2005

nonformat_02

Love Song Book Jacket for Die Gestalten Verlag, 2007

First published: August 5th, 2009
Filed under: Creative Canon
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Polite Notice

specialsbadge

If you’re reading linefeed through a feed reader you have thought there’s been a bit of tumbleweed floating about the blog section of the site. What you may not have noticed is the new landing page where you can keep track of regularly updated Google Reader Shared Items [reader.google.com], Delicious bookmarks [delicious.com], Twitter Tweets [twitter.com], recent Vimeo Videos [vimeo.com], Confab Podcasts [confab.tv] and recommended links. Big news for Linefeed is the advent of LineMart [linefeed.presspublish.info/linemart]a place for stuff what you can buy. There’s a selection of Print on Demand publications and spanky new mugs up there now. New stock will be added on a semi-regular basis. Look for notices via Linefeed. Linefeed also has a new contributor which I’m totally excited about. More soon. Hopefully next year we’ll be able to get a nice new and much neater site address too. Roll on new top level domain names.

First published: August 4th, 2009
Filed under: Notices
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Reading List #15: July 2009

This edition of the Linefeed Reading List features Monocle [monocle.com], Wallpaper [wallpaper.com], i-D [i-dmagazine.com], Quotation [quotation.jp], Grafik [grafikmagazine.co.uk], Graphic [graphicmag.kr], C+A [ccaa.com.au/CplusA] BTW for ‘EmeryVincent’ see, ‘EmeryStudio’ — oops, showing my age there. August’s Reading List is not far off too.

Send magazines to review to:
Linefeed
c/o Michael Bojkowski
514 / 220 Commercial Road
Prahran Victoria 3181
Australia

First published: July 23rd, 2009
Filed under: Reading Lists
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Product: Tony Hart Posters

visionon_01

Looking for a way to commemorate the passing of the man who launched a thousand amateur oil paintings, Tony Hart [tonyhart.co.uk]? Start building your shrine to the champion of budding young artistés around the world with this handsome poster featuring Mr Hart’s ‘Vision On’ logo [its-prof-again.co.uk/vision_on] for the TV show of the same name. Licensed to and produced by avid archivists, Trunk Records [trunkrecords.com] and available to purchase exclusively from Shelf on Cheshire Strret near London’s Brick Lane [helpyourshelf.co.uk], this is as official and exclusive as you’re going to get, so go get it. Got it? Good.

First published: July 20th, 2009
Filed under: Product
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What’s Up #61: Julia

Julia is a name chosen to represent recent RCA graduates Valero Di Lucente, Erwan Lhuissier and Hugo Timm [about-julia.com]. Their various backgrounds (Italian, French and Brazilian) converging in the formation of their own London-based design studio. What’s exciting about this new group of hot shot RCA designers is their unique approach to typography, producing many alarmingly simple yet well executed type ideas such as the ace why-did-no-one-think-of-it-before Gill Sans Rounded…

julia_01

First published: July 15th, 2009
Filed under: What's Up
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Rant: AGDA Poster Annual 2009

Inside the fortress like walls of the Australian Graphic Design Association you find the AGDA Poster Annual 2009 [posterannual.agda.com.au]. It’s an ace competition and one well worth supporting if AGDA gave people any way of sharing it around. Once on the site you’ll find a mixed bag of entries, the majority are pretty ace, only a handful are truly abysmal. If you can be bothered to wade through an over-elaborate registration system to officially become a ‘non-member’, you can also register your one unique postereal pleasure by submitting ‘a’ vote (just one, we can’t have you going too crazy) for the poster of your choice.

Posters being one of the most immediate routes of communication a graphic designer can employ, you’d think this would be a chance to for Australian designers to show the public their metal. Unfortunately all entries are treated as anonymous so you can’t find out who submitted them from the site and all images are protected so you won’t be able to download them and share them around to show people how ace or abysmal they really are. In a country where Graphic Designers should be jumping at every opportunity to talk up their profession (cause those opportunities are waxing and waning), this seems like yet another misfire. Here’s hoping they get it right for 2010 cause time’s a-wasting.

Posters will eventually be on display, dotted around Melbourne as part of the State of Design festival [stateofdesign.com.au] (which Linefeed hopes to cover over the coming couple of weeks. Check for updates via twitter by following me at @bojkowski). Short-listed entries will also be available to view at the No Vacancy gallery in Melbourne from July 16 [no-vacancy.com.au].


BTW websites that don’t believe information wants to be free and try to protect their imagery online I have one word for you. And that word is… screenshots. Hello! Here are some of my favourite entries below. Come forth to claim your anonymous design by leaving a comment below…


Update #1: Eatin’ Words Okay, so I was a bit grumpy this morning when I wrote this. There are still a few problems with the way this competition has been presented but after my comments about this on twitter you can now share entries via ‘Share This’. How about that for responsive. I’m blown away. Nice one AGDA for listening and responding in such a humble manner. It’s not often I have to eat my words but that’s awesome. Now about the rest of the site… kidding! …ish


Update #2: Quite Good The exhibition is actually quite good so, if yer in Melbourne go see it and don’t forget to have a scribble on the wall. Some pics here [twitgoo]


adga_dontwaste


adga_wishkebab


adga_futurematter

First published: July 13th, 2009
Filed under: Rants
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Creative Canon #6: A2/SW/HK

A2/SW/HK is, as the name suggests, the professional moniker for Scott Williams and Henrik Kubel’s graphic design partnership. Together they make up one of the quiet achievers in the British graphic design establishment, producing a consistently high calibre portfolio of work with minimal fuss and bother. Their approach may be low key but their work in noticeably robust. If you’ve been to the Tate, the Hayward Gallery or the V&A you may have seen their graphic work and custom typography their as part of exhibition such as Eyes, Lines and Illusions or Cold War Modern (they designed the accompanying book). You may have even licked one of their James Bond paperback stamps for Royal Mail. The quality of their work is no doubt helps by the fact that many of their clients comes from the art world. Many of A2’s custom typefaces are made for, and used exclusively on a particular project, lasting only as long as the projects lifespan, before disappearing into their archives. Recent times have seen A2 reviving a lost typeface from Britain’s golden era of modernist typography in the form of the New Rail Alphabet, a colaboration with the typeface’s originator, Margaret Calvert. It’s their first typeface to be released into the public domain for sale and download. It looks like their may be other typeface releases in the future too, if the A2 Type logo is anything to go by.
[a2swhk.co.uk]


Random References:
[newrailalphabet.co.uk]
[wikipedia.org/Margaret_Calvert]
[afterall.org]
[eyemagazine.com/feature.php?id=166&fid=747]
[cubittartists.org.uk]
[a-g-i.org/about/member_work.php?id=512]
[a-g-i.org/about/member_work.php?id=519]
[tate.org.uk/britain/exhibitions/artandthe60s]


A2_03

Text Samples from New Rail Alphabet

A2_01

Samuel Beckett Book Jackets for Faber & Faber

First published: July 8th, 2009
Filed under: Creative Canon
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Lost Classics: Sebastian

David Greene is a British director who did a lotta TV. Like absolutely loads [iMDB]. After moving to the States, it’s pretty much all he did. He’s even credited with ‘adapting’, or rather shrinking down, a few big screen hits for the small screen including cinematic treasures such as The Night of the Hunter and Whatever Happened to Baby Jane? It was round the late 60s that his work had a brief flirtation with cinema goers when he directed a series of quite quirky films that, although seemed to miss their mark at the time, are worthy of reappraisal, such as The Shuttered Room, I Start Counting and Sebastian [iMDB]. Sebastian will be of particular interest to Londonites due to a lot of it being filmed around London’s West End and the City of London. Be forewarned, there is an unfortunate misogynistic streak that runs throughout the film. It’s the story of a crack squad of code breakers who happen to be women (including an awesomely stylish Susannah York [iMDB]) routinely shouted at by regular lady slapper, Dirk Bogarde [iMDB]. Putting that aside (let’s just say we live in a much more enlightened age now and leave it at that), this is a beautifully shot peek into London life in the late 60s and what Britons considered to be ‘modern’ at the time. Awesome music and some ace 60s stores and clubs also feature throughout. Sebastian is not yet available to purchase, as with many of Greene’s films, but you can watch the whole thing on YouTube [YouTube] and the soundtrack has just been released via Harkit Records [harkitrecords.com], although it skips out on awesome tracks by The Happeners and Max Baer & The Chicago Setback.


BTW The clip below if from near the end, so don’t watch it if you’re worried about spoiling any plot points for yourself.

First published: July 7th, 2009
Filed under: Cinephile, Lost Classics
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Ideas: Retail Ideas for Melbourne

A while back I put together some Ideas for London [see linefeed/425]. Now it’s Melbourne’s turn. The city that often boasts of it’s ‘most liveable city’ status [economist.com], is currently attracting over 1000 new residents a month and sits in the Monocle’s Top 10 Most Liveable Cities Index [monocle.com] has problems. The 3 main problems are transport, broadband and retail (it’s news media could do with a bit of a kick in the arse as well). Public transport could possibly get a boost now that Connex have been ousted in favour of the MTR Group based in Hong Kong [theage.com.au] (although the trams are back in the hands of the French. Do they even have Trams in France?). There still needs to be a heck of a lot more done to get people out of their precious, beloved cars. The nationwide broadband issue has been left the hands of the major telcos, and therefore looks like it will never be resolved. Working out the best way to transport citizens about is a constant in most cities, so I’m going to focus on the Retail side of things, after all this has to be the most visible sign of a cities intelligence and creative nouce.

Retail sucks in Melbourne. It’s most often an ugly and highly cynical operation designed to extract cash from consumers and give as little possible back in return. Not so for the entertainment industry. Melbourne has some of the best restaurants, bars and cinemas you’ll find in any city anywhere (which isn’t necessarily a bad way to prioritise things). But the shops! OMG. When I think of shops in Melbourne I think of florescent strip lighting and garish painted signs (spotted on shop front in Brunswick Street — ‘Annual Closing Down Sale’). And I mean Chapel Street [Google Maps]… is that really the best there is? Nowhere is there the warm functionality of a Muji or a Habitat (New Zealand and Indonesia have Habitat stores – is it assumed that Australian shopper’s lack the sophistication to support these sorts of ventures?) or the sparky vitality of Uniqlo or Graniph. Core department store, Myer’s thoroughly modern remodelling being the only glimmer of any change in the city [nharchitecture.net], although even this could just be refreshing the packaging on a poor offer. The quirky niche stores are there but are few and far between.

So here a few (not overly) humble suggestions for store concepts that could lift Melbourne’s game and contribute to bringing the city inline with it’s contemporaries locally and around the world.


retailideas_local

Local is a reinvigorated take on the local supermarket or mini mart, supporting the idea of local producers and city farms. It is essentially a ‘market store’ with a farm perched on top. Outside of Melbourne it is possible to purchase goods direct from suppliers by visiting stores on or close to their farms. By bringing this idea into the city and building high (we’re talking multi-storey) instead of wide, there is a chance to create an innercity farmer’s network, exchanging produce via a fleet of nippy, clean energy fuelled vans and trucks. In store, produce could then be divided into two distinct categories. One category would be for unprocessed produce, sourced from local producers, straight to the shelves with minimal fuss and packaging. Pricing would be affordable depending on the seasons. This section of the store would seeks to mimick, though not replace, the fresh food market experience you get at places like Victoria Market. The second category would be for pre-prepared meals, put together in the ‘Local’ kitchens utilising fresh produce from category A. Australia has very little in the way of quality ready made food that you can take home and cook yourself with minimal fuss. It is often looked down upon for being of an inferior quality to food that requires more effort in the kitchen. This needn’t be true.


retailideas_format

Format would be a new sort of music and entertainment store with some old fashioned ideas, namely bringing back the ‘listening booth’ as well as new ideas such as ditching tacky, wasteful plastic packaging like the (now way past its use-by date) jewel case. Music and entertainment megastores have been made redundant in the age of digital downloads and yet people still like shopping for entertainment on the high street. So Format would give us modern formats we can take home, that take up less space and are easy to organise. Inside Format, customers would be able to settle into their own personal listening booth to review potential purchases (like you see featuring in films of the 50s and early 60s). Then make a selection via the listening device in the booth. At the counter we’d then get to choose how our purchases are to be supplied: Are they burnt to disc, with the option of purchasing various containers for keeping your discs (preferably in bulk, like a photo album)? Or are they downloaded onto an iPod or a USB device or any other hard drive you may choose to buy or bring in with you? Or are they sent to you via email, removing the need for any container at all? Incentives to purchase products instore could include limited edition posters and promotional items, with an emphasis on ‘keepables’, similar to the racks that previously lined the walls of the Pure Groove store in Clerkenwell [puregroove.co.uk].


retailideas_kiosk

Kiosk follows a simple premise. It aims to support quality independent magazines from around the world by supplying an outlet of equal quality for them. Kiosk outlets would be deliberately small, intimate and ‘bookish’ spaces (ie warm and inviting, specifically lit, wood panelled interiors). This is for two reasons, the first being cost (business of importing independent magazines can be an expensive one), the second being to strip out any of the commonherd distractions most newsagencies are under the illusion that they need to carry in order to lure consumers in. There is a hunger for information from around the world that international magazines satisfy in Melbourne as evidenced by the popularity of the MagNation model [magnation.com]. Kiosk deviates from that model by shrinking down the offer to it’s bare minimum rather than attempting to expand upon it.


retailideas_londonstores

London Stores is the name given to a building slap bang in the heart of the Melbourne CBD [walkingmelbourne.com] in what used to be the city’s main shopping thoroughfare, which seems to have shifted up the road to the top of Swanston Street. The building seems to have struggled to retain tenants, and floors are often empty and under utilised. The London Stores idea proposes using the 10 storey building to encase a number of brands specific to the Melburnian’s desire to be part of the world and be able to purchase the same products shoppers enjoy on high streets around on the globe. Brands that could possibly be installed would be sourced from all over the world particularly London (Habitat, Eat, Marks & Spencer Simply Food, Yauatcha etc), Paris (Ladurée, Paul) and Tokyo (Muji, Uniqlo, Aoyama Book Center). Space would also be set aside for ‘special guest’ brands as part of an ever-changing schedule of pop-up style outlets.

First published: June 28th, 2009
Filed under: Ideas
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What’s Up #60: Rebecca Wolkenstein

zawada_01

Rebecca Wolkenstein is a person [rebeccawolkenstein.com]. She is also using her good name to single handily champion the work of Australian designers and photographers locally and around the world. Creatives currently under her wing include Beci Orpin (see What’s Up #59), Jonathan Zawada [zawada.com.au] (editor of Petit Mal zine [petit-mal.com] amongst other things) and Jason Pietra [rebeccawolkenstein.com/photographers/JasonPietra]. The blurb on her site is unusually relaxed and open too: ❝When I started the agency I had a bunch of really cool photographers. I was pretty pleased with myself, but then I met Beci and thought, “how cool is she!?” I thought why stop at photography? Since then I have taken on all the people in this country who I think are really special. It’s a small group. Is that snobbery?❞ The image above comes from Johnathan Zawada’s ‘glory scarves’ project [trust-fun.com]. Each scarf is digitally printed with a unqiue patten so no two are the same.

First published: June 26th, 2009
Filed under: What's Up
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